Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On December 5, 2024, a major newspaper published the headline “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to maximize profits on your health.”
Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the alleged crime? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.
Understanding the Person
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on a reading platform”. Their content covered climate change to masculinity, along with a “emphasis on his own self-improvement, both physical and mental”. Additionally, Richardson analyzes his communications with online personalities and authors as well as his many updates on digital networks. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson attempts to cast his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “deny” and “remove”, engraved on the ammunition left behind at the crime scene. These are the phrases sometimes used by medical insurers to reject claims. He looks at the evidence Mangione had a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s existential anxiety about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either take control, or eliminate humanity, or both.
Gaps in the Narrative
Notably missing from the book are conversations with the key individuals. Richardson asked, of course, but did not anticipate time with Mangione himself. And his family stated explicitly that they had chosen not to talk to the press in advance of the trial. Another flashing-yellow omission is any detailed data about the victim, Thompson, though we learn that under his guidance, from the early 2020s, UHC profits rose significantly.
Ambiguous Findings
By the conclusion, the reader has no clear understanding of Mangione’s character or what could have driven his alleged crimes. Worse still, Richardson’s apparent empathy for him creates the disturbing feeling of having been exposed to a subtle approval of an targeted killing. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that tale “Robin Hoods come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is certain: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence thrown out, any reference of myths, Robin Hoods, champions or monsters will not be admissible as evidence in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.